Life, Love and Death: The work of Adam Fuss Essay -- essays research p

Life, Love and Death The realize of tenner bother potato bean exactlyter and jelly, a common combination of two separate entities, around people have heard of this duo, many enjoy it, but scarce one manufacturer packaged them together in a deft snack. Much like the tasty treat that is Goobers is the tasty duo of Adam rough-and-tumble and Roland Barthes. Two separate men, Adam Fuss and Roland Barthes put together in one reading, complementing and accentuating each other. Fuss and Barthes, they get by an interest in photoy, they share an interest in the foundation and principles of picture taking, more over they share an interest in photography that is deeply personal. Fuss takes the camera aside of photography. Barthes takes photography out of art. Both men want to get to the essence of what a photograph is, one by thinking and writing most it and one by doing it. In this paper I will salute how Adam Fuss work matches up with and demonstrates the ideas of Barthes in C amera Lucida. I will look at one body of work at a time and show which parts of Barthes ideas are present in the work, in its creation and its theory. I will start with his first overlord body of work, move through to his most recent work and accordingly look back to some of his childhood pictures. Whether Barthes ideas actually influenced Fuss work I am non sure of, I have not found any text or interview that leads me to believe that it is, even I would not be surprised if it has.Camera Lucida was Roland Barthes last write piece, make posthumously in 1980. This book deals with the topic of photography and the wipeout of Barthes mother in 1977. The role of photography is questioned he asks what about photography makes it a valid media? We read about the operator (the photographer), spectrum (the subject) and spectator (the viewer), alike about the studium (what we see in the photograph) and the punctum (the unclassifiable, the thing that makes the photograph important to the viewer). tally to Barthes the photograph is an adventure for the viewer, but it is ultimately death, the recording of something that will be dead after the picture is taken. This idea is the main focus of Barthes writing, the photograph that-has-been, in Latin interfuit what I see has been here, in this place which extends amidst infinity and the subject it has been here, and yet immediately separated it has been absolutely, irref... ...warns us about, by using it to document ideas and cause and effect. Barthes also warns us about color, but Fuss uses color judiciously and naturally in his work. Whether Barthes ideas actually influenced Fuss work I am not sure of, however the similarities and differences between both mens work suggest that Fuss has indeed been either directly or indirectly influenced by Roland Barthes Camera Obscura.BibliographyAllen, G. (2003). Roland Barthes. capital of the United Kingdom Routledge.Barthes, R. (1981). Camera lucida Reflections on photograph ( R. Howard, Trans.). refreshing York Hill and Wang. (Original work published 1980)Bleckner, R. (1992). Adam Fuss. In Betsy Sussler (Ed.), flush it speak art The best of Bombmagazines interviews with artists (pp. 98-106). Australia G+B Arts International.Crump, J. (1997). Visceral photography The work of Adam Fuss. Afterimage, 25(1).Retrieved on 10/11/2004 from EBSCOhost database.Fuss, A. (1997). Adam Fuss Essay by Eugenia Parry. Santa Fe, NM Arena Editions.Kellein, T. (2003). Adam Fuss. New York Distributed Art Publishers, Inc.Sand, M. (1993). Adam Fuss. In Aperture On location (pp. 44-53). New York ApertureFoundation, Inc.