'The Shoe Horn Sonata and Dulce Et Decorum Est'

'We argon living in a ocular world change with images, but the optic isnt whole found in pictures. Words and healthy also take in images, it is therefore with words, images and sounds that we can shape up a great comprehensive escorting of what a schoolbook is about. The apparelhorn Sonata by John Misto employs these elements and techniques much(prenominal) as shooter layout, lighting and linguistic communication techniques to create a distinctively optic piece that enables the responders to efficaciously understand the content. The meter Dulce Et Decorum Est by Wilfred Owen similarly establishes a distinctively visual piece by the use of voice communication techniques which in criminal enables the responder to understand the themes being described. 2 the play and the poem educate their audiences on the atrocities of fight and the bring forths that argon faced, which last had rattling severe repercussions on the individuals long after the war was over.\ nDuring war individuals can face challenges that can lastly question set and attitudes. In the Shoe Horn Sonata Sheila and Bridie two question morals and values by dint of the yield Sheila made. Sheilas sacrifice to betray her-self to lipstick Larry ultimately affects her by dint ofout the backup of her life, as she has to study her traumatic experience alone. This is represented through scene eight and the plays dramatic merge as it inescapably leads to the climatic morsel at the destroy of act 1 when Sheila reveals to Bridie the terrible sacrifice she made in order to excuse her life. The scene ends with a dramatic representation of the isolation of the two characters in unalike spotlights which symbolises the dis-unity and tension in there companionship and the isolation that sheila has dealt with for 50 years as she knows Bridie would have neer sacrificed herself for her. This belief is share through the emotional language that is highlighted through the excl amation and pause, in the line you ruin your life- for a J... '