WOMEN S BODY IMAGE AND MEDIAIntroductionIn articulating a wake upual politics feminists hand had to confront deeply conflicted associations of women with the body (Henry , 1994 ,br 272 . The earliest civilizations both venerated and feared women s robust condition . According to historian Gerda Lerner , worship of the great goddesses in the early Middle East celebrated the sacredness of wo spellish sex (Henry , 1994 ,. 273 . And since women are negatively impacted by word pictures in the media that only sporadically promote and more often demote a healthy body externalize , the media should reform these images This is the thesis that this adopts and supports , with concomitant emphasis on the eating diss that arise because women admit to cope up with the pressure and stresses that society and the media bombards its women citizenry . in that location is a need to change media s approach to women s image as versed objectsThe Wo musical composition s Body and Consumer Culture dates sand to the pastAlong with medicalization , commercialisation , has exerted increasingly powerful influence of the cultural moment the fe potent body . By the 1900s economies driven by marketing linked images of woman with products that seemingly had little to do with sex-from cars to mouth wash out to cigarettes . Thus , playing on the female body as a desired informal object advertising and democratic culture was saturated by westbound media with images and innuendo . In her 1963 treatise the Feminine Mystique , Betty Friedan dated this internal sell in the joined States to the years after founding War II , notwithstanding the practice had originated by the mid-twenties . An early cigarette ad , for example , showed an alluring man who begged men to blow a little smoke my authority (Friedan , 1983 ,.< br/>

xiIn popular culture , songs rough hot lips and baby heart reached wide markets through radios and phonog bughs , displacing early religious music or secular anthems to motherhood and sheer sweethearts Whether trough ads or in the World War II photos of pinup girls , the postwar boom in pornographic magazines , or the lyrics to shake and rap songs , eroticized images of women sold products (Boorstin , 1974It forget be seen as oneness does the research on this that the sexualization of women in popular culture had cross racial connotations . A long-standing Western Association of Africans with primitive sexuality created receptive audiences for African Ameri can entertainers . In the 1920 s French audiences cheered Josephine baker s erotic dance performances , term in the United States Ida cox sang close to her sexual prowess in iodine Hour Mama ( no one minute dad ain t the kind of man for me . Along with exuding sexual power , however , these performers could reinforce the image of black women s sexual availability . Over time , near popular music about women of color perpetuated sexual and racial dominance . In their 1971 mutilate song Brown sweeten the Rolling stone exulted male mastery over a young female knuckle down , including a chorus line invoked the sound of his nightly whipping of a sexually a appealing young girl . much recent rap lyrics...If you want to get a encompassing essay, order it on our website:
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